Gian-Martino Cecere: Italian, b. 1990

Pictorial scraps, cuttings, old materials, sketches, erasures, worn and dated materials, and grafts of other nature are stratagems that talk the same unknown language and the gesture insists on already marked paths. Things are left waiting for them to take on a meaningful intention.

The canvas, as a place of an archaeological find, looks like a schedule capable of revealing the ruins of a timeless civilization, on which it is possible to see erosions, strengths, focuses, and fractures, which tear the integrity of the overall vision.

The space-temporal conditions of this discovery are blurred, as the objects of discovery, are often marked by an epic will: monuments, polymorphic figures, and mentioned landscapes.